Just call it tortured couture.

Following a two-month break, Taylor Swift’s record-breaking Eras Tour resumed in Paris, France, on Thursday — and along with adding several songs from her latest album, “The Tortured Poets Department,” to the already-sprawling setlist, the superstar treated lucky ticket holders to some fresh fashion, too.

Swift graced the stage to perform her latest tunes including “But Daddy I Love Him,” “So High School,” “Who’s Afraid of Little Old Me?,” “Down Bad,” and “Fortnight” adorned in a bespoke white taffeta dress. The dress featured a corseted bodice, dramatic hip draping, and her own poignant lyrics (“I love you, it’s ruining my life”) elegantly scrawled down the high-low skirt. This custom creation was confirmed by Vivienne Westwood’s representatives to Page Six Style, showcasing the singer’s penchant for merging fashion and storytelling seamlessly on stage.

Taylor Swift debuted new costumes for the “Tortured Poets Department” segment of her Eras Tour in Paris on Thursday.Getty Images for TAS Rights Management

She wore a white taffeta Vivienne Westwood dress with a corseted bodice, dramatic draping and her own lyrics scrawled down the skirt.Getty Images for TAS Rights Management

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She accessorized with one of the house’s signature three-row Orb chokers.Getty Images for TAS Rights Management

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The dress was styled with Victorian-inspired Christian Louboutin lace-up boots.Getty Images for TAS Rights Management
She accessorized with one of the house’s signature three-row Orb chokers ($720) and, before launching into “The Smallest Man Who Ever Lived,” topped off her gown with a matching white trench coat featuring military-style epaulettes and frogging.

Following her performance, Swift underwent a striking on-stage costume transformation, exchanging her previous attire for another Vivienne Westwood creation. She appeared in a black crystal-embellished bra top and briefs, layered beneath a metallic gold tailcoat adorned with black crystal-embellished lapels. This ensemble marked the conclusion of the “TTPD” section, as Swift passionately closed out the segment with “I Can Do It With a Broken Heart,” showcasing her ability to seamlessly merge fashion with the emotive narrative of her performance.

She performed new tunes “But Daddy I Love Him,” “So High School,” “Who’s Afraid of Little Old Me?,” “Down Bad” and “Fortnight” wearing the fresh look.Getty Images for TAS Rights Management

Before launching into “The Smallest Man Who Ever Lived,” Swift topped off her gown with a matching white trench coat featuring military-style epaulettes and frogging.Getty Images for TAS Rights Management

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The new costumes are perfectly in line with the literature-inspired looks Swift’s been exploring while promoting “TTPD.”Getty Images for TAS Rights Management
The new costumes are perfectly in line with the literature-inspired looks Swift’s been exploring while promoting “TTPD” — think corsets, pleated skirts and plenty of black and white.

“There’s definitely a ‘literary academia’ style that’s going on,” Taylor Swift Style blogger Sarah Chapelle told Page Six Style last month. “The [visuals] are telling a very cohesive story, which is clearly pointing to being inspired by female poets of the past.”

The “Black Dog” singer embarked on a collaborative journey with several renowned fashion houses to curate her stage styles for the Eras Tour, each design drawing inspiration from the aesthetic themes of her past albums. This innovative collaboration highlights Swift’s ability to fuse her musical evolution with visual storytelling, creating a dynamic and cohesive experience for her audience that transcends both music and fashion.

Swift collaborated with a number of major fashion houses on her stage styles for the Eras Tour, all of which are inspired by her past album aesthetics.Getty Images for TAS Rights Management

She showed off a new version of her “Midnights” bodysuit by Roberto Cavalli during the show.Getty Images for TAS Rights Management

Swift also debuted a yellow version of her “Folklore” gown by Alberta Ferretti.Getty Images for TAS Rights Management

Standouts include the bedazzled Atelier Versace bodysuits Swift wears during the “Lover” section of her performance, the sparkling Roberto Cavalli crop-top-and-miniskirt combos she sports for the “1989” segment and the flowing, fluttering Alberta Ferretti gowns that add ethereal drama to the “Folklore” portion of the show.

And given that the aforementioned brands provided several different color variations of each look for Swift to rotate between as her tour rolls on, additional “TTPD” costumes are practically guaranteed to pop up at the shows ahead.